Appu

Director: Vasanth
Cast: Prashant, Devayani, Vignesh, Kaveri, Prakashraj, Mohan Sharma.

A remake of the Mahesh Bhat film 'Sadak', the story of 'Appu' is set in the red light area of Mumbai. It is about a taxi driver Appu, who puts his life and those of his friends in danger to rescue Sita, a girl trapped in a brothel run by a dreaded eunuch 'Maharani'. Prashant gets an image-change from a romantic hero to a macho one and fits into his new avatar well. He is an angry young man ready to take on the world. Years back, Appu's sister had been betrayed by her lover and sold to a brothel in Mumbai. Later the girl had committed suicide and Appu could only watch helplessly as she leapt  to her death. Haunted by demons from the past, Appu gets a chance to redeem himself when he rescues Sita, a girl sold by her own uncle to 'Maharani'.

Devayani has the soft innocent looks needed, but one wishes she had put a little more expression on her face, so that one would feel she was terrified of the goings-on and the situation she was in. Sadashiv Amrapurkar, Bhat's 'Maharani', with his dark swarthy looks and draped in female garb, created a spine-chilling effect in the original. But here, Prakashraj cuts a handsome figure and seems to enjoy his role. Probably that is why Devayani didn't look terrified enough despite his making all  those menacing noises. Scenes like the death of Prashant's best friend Vignesh and his lover Kaveri at a shoot out during the rescue act; and Ramesh Khanna's legs being chopped off; all should have created a horrifying effect. But they do not.

To the Tamil audience, the ambience may seem alien and not very identifiable. In a 'remake' film, a director has not much to do. A sensitive director of Vasanth's caliber is clearly wasted here. But he does leave a mark in his song picturisations (Va da va…), which are catchy, despite the absence of expensive props and sets. Cinematographer Vinod leaves a mark in his maiden effort.

 

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